New(s) & Upcoming

Trust (Hal Hartley, 1990)

I’m guest editing a special issue of New Review of Film and Television Studies on “Radical Romantic Comedy,” forthcoming in January 2020, when I will also become the journal’s third and newest Editor.

I received a Tourneés Film Festival Grant to fund a series of Francophone films, taking place this winter at Goucher College.

I was quoted about representations of bisexuality in contemporary popular culture in articles in The i, Longreads, and Vox about contemporary representations of bisexuality on screen.

The collection The Age of Netflix (McFarland, 2017), in which my essay on Orange Is the New Black appears, has been reprinted in Korea.

My annual favorite films lists are included in Senses of Cinema‘s World Polls for 2018, 2017, 2016, and 2015.

I reported on the 45th Telluride Film Festival for Senses of Cinema.

I was an invited plenary panelist at the British Academy-sponsored series “Imagining ‘We’ in the Age of ‘I’: Romance and Social Bonding in Contemporary Culture” at the University of Warwick, U.K., September 28-29, 2018.

I contributed to the Los Angeles Review of Books‘ symposium on the sixth and final season of HBO series Girls.

Stranger by the Lake (Alain Guiraudie, 2013)

The Itinerant Cinephile was quoted about Il Cinema Ritrovatro’s Casablanca screening on Fandor’s Keyframe Daily blog.

An excerpt from The B Word is featured on the In the Life LGBT Research Portal of the UCLA Film & Television Archive website.

I was quoted about Under the Skin in the Film Comment 2014 Readers’ Poll.

I commented on “Weinergate” for The Boston Globe.

I’ve written an Indiana University Press blog post about bisexuality in Baz Luhrman’s The Great Gatsby (2013).

I commented on bisexual celebrities in The Advocate.

I am quoted in a story on bisexual women in television on Autostraddle.com.

I commented on representations of un/deremployed young women in contemporary TV for Jezebel.

Happy Together (Wong Kar-wai, 1997)
Happy Together (Wong Kar-wai, 1997)